El poema Parias (2006) de la machi Adriana Paredes Pinda como desobediencia epistémica y signo decolonial

Abstrakt

In this text presents a semiotic-historical analysis of a selection of verses from the poem from the poem Parias (2006) by the poet Adriana Paredes Pinda. The poem in question is presented as a reflection on the mapuche-huilliche identity and an act of resistance against the colonial heritage, as well as a counter-discourse that makes visible the wounds of the colonial that makes visible the wounds of colonization. Thus, it explores how Pinda dialogues with historical and cultural memory to re-signify its origin, revalorize the subaltern voice and poeticize contestedly in a sense of epistemic disobedience. epistemic disobedience and decolonial sign. This text presents a semiotic-historical analysis of selected verses from Parias (2006), a poem by Mapuche-Huilliche poet Adriana Paredes Pinda. The poem is interpreted as both a reflection on Mapuche-Huilliche identity and an act of resistance against colonial heritage, a counter-discourse that exposes the wounds of colonization. The analysis explores how Pinda engages with historical and cultural memory to re-signify origin, revalorize the subaltern voice, and employ poetry as a form of epistemic disobedience and a decolonial sign.